Each of these works from 2009-2011 began with one or more pairs of small concentric, mechanically-drawn circles. All subsequent concentric lines are freehand attempts at repeating the previous interval as closely as possible. Use of both left and right hands, as well as clockwise and counterclockwise directions, create variable mappings of accumulated neuromuscular errors. The long titles draw parallels between biological, physical, political and psychological systems and the specific generative procedures employed in each work.
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